Active Filters:
Measures: < 20
Participation: 1%-49%
Participation: 80%-99%
Participation: 100%
Unique Durations: 6-7
Unique Accidentals: 3-4
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Ach Gott, erhör mein Seufzen
Volckmar, Tobias
0:36 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 15 0 3 5 96%
Bass 15 0 3 6 100%
Trumpet
in
C		 Treble 6 0 0 7 85%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 15 0 3 5 96%
Bass 15 0 3 6 100%
Trumpet
in
C		 Treble 6 0 0 7 85%
 
Allein zu dir, Herr Jesu Christ
Bestel, Gottfried Ernst
1:29 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trumpet
in
C		 Treble 11 0 1 5 100%
Organ Treble 15 1 4 5 96%
Bass 19 1 4 6 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trumpet
in
C		 Treble 11 0 1 5 100%
Organ Treble 15 1 4 5 96%
Bass 19 1 4 6 86%
 
Adelita - Francisco Tarrega
Brian Croom
0:36 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 25 15 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 25 15 4 6 100%
 
Aftenstemning_(Grieg)
sangerforum
0:29 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baryton Bass 11 0 2 8 100%
Bass Bass 11 0 2 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baryton Bass 11 0 2 8 100%
Bass Bass 11 0 2 7 100%
Tenor
1		 Treble 14 0 4 7 100%
Tenor
2		 Treble 11 0 3 8 100%
 
Abandoned Ship/Sea Mauville Theme (Pokemon OR/AS)
Christopher Rice
1:04 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
C
Tuba		 Bass 10 0 5 8 100%
Flute Treble 32 17 11 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
C
Tuba		 Bass 10 0 5 8 100%
Flute Treble 32 17 11 6 100%
BaccidentalFlat
Clarinet		 Treble 26 0 10 5 88%
BaccidentalFlat
Trumpet		 Treble 17 0 8 7 88%
Alto
Saxophone		 Treble 15 17 6 5 56%
Trombone Bass 3 0 2 4 50%
French
Horn		 Treble 9 0 4 7 44%
Tubular
Bells		 Treble 4 0 1 1 13%
 
Adelita
Shoichi
1:11 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chitarra
I		 Treble 19 4 3 6 100%
Chitarra
II		 Treble 16 11 3 5 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chitarra
I		 Treble 19 4 3 6 100%
Chitarra
II		 Treble 16 11 3 5 88%
 
19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.
SDG
0:41 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 19 1 4 6 100%
Bass 19 1 4 6 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 19 1 4 6 100%
Contrabass Bass 15 0 2 3 50%
 
Air (From Orchestral Suite No. 3) (Transcribed and Arranged for Violin, String Ensemble, and Continuo)
Arianna2001
4:21 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
or
Harpsichord
or
Opt.
Piano
(Continuo)		 Treble 20 36 5 5 100%
Bass 25 0 8 3 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ
or
Harpsichord
or
Opt.
Piano
(Continuo)		 Treble 20 36 5 5 100%
Bass 25 0 8 3 100%
Violin Treble 17 0 4 6 100%
Treble 17 0 4 6 100%
Contrabass Bass 25 0 8 3 100%
Viola 11 0 2 4 100%
Violas 11 0 2 4 100%
Violin
Solo
or
Principal		 Treble 14 0 5 8 100%
Violins
I		 Treble 17 0 4 6 100%
Violins
II		 Treble 17 0 4 6 100%
Violoncello Bass 25 0 8 3 100%
Violoncellos Bass 25 0 8 3 100%
 
A6
daviesx661
1:06 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 6 100%
Bass 18 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 6 100%
Bass 18 0 4 4 100%
 
alleluja
Matúško Kundisović
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bas Bass 14 13 0 6 100%
Soprán Treble 16 5 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bas Bass 14 13 0 6 100%
Soprán Treble 16 5 4 6 100%
 
All the way along - Lewis E. Jones
Real Jesus
0:35 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 13 3 6 100%
Bass 10 15 0 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 13 3 6 100%
Bass 10 15 0 6 100%
 
All because of calvary - Wendell P. Loveless
Real Jesus
0:46 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 21 4 6 100%
Bass 13 15 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 21 4 6 100%
Bass 13 15 2 6 100%
 
Across the templed hills - Ira B. Wilson
Real Jesus
0:40 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 19 2 7 100%
Bass 14 11 4 6 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 19 2 7 100%
Bass 14 11 4 6 95%
 
Advent song - Big Ben Louise Shepard.
Real Jesus
0:36 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 15 3 7 100%
Bass 15 19 2 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 15 3 7 100%
Bass 15 19 2 7 100%
 
Accepted in the beloved - Wendell P. Loveless
Real Jesus
0:45 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 22 4 6 100%
Bass 13 16 3 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 22 4 6 100%
Bass 13 16 3 6 100%