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Composition: Ensemble
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Play Time: 1:30 - 2:10
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Come t'aggio lasciato, o vita mia
Filippo Azzaiolo
0:58 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 1 6 100%
Bass Treble 7 0 0 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 1 6 100%
Bass Treble 7 0 0 4 100%
Soprano Treble 7 0 1 4 100%
Tenor Treble 7 0 1 4 100%
 
Close Friends
Jayboned
0:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
Trombone		 Bass 3 0 0 5 100%
Trombone
1		 Bass 3 0 0 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
Trombone		 Bass 3 0 0 5 100%
Trombone
1		 Bass 3 0 0 4 100%
Trombone
2		 Bass 2 0 0 4 100%
Trombone
3		 Bass 2 0 0 4 100%
Solo
Trombone		 Bass 4 0 0 5 82%
 
Cold winter's ice is fled and gone
Thomas Weelkes
1:34 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
1		 Treble 16 0 5 6 79%
Treble 10 0 2 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
1		 Treble 16 0 5 6 79%
Treble 10 0 2 6 100%
Practice Treble 17 0 5 6 88%
Bass 20 0 5 6 96%
Alto Treble 12 0 3 6 89%
Soprano Treble 13 0 3 6 85%
Bass Bass 12 0 1 6 72%
 
Con la candida man
Constantijn Huygens
1:40 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 31 6 6 100%
Bass 17 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 31 6 6 100%
Bass 17 0 5 5 100%
Soprano Treble 13 0 4 6 100%
Viola
da
gamba		 Treble 17 0 5 5 100%
 
Comment ne pas te louer ?
deCarné
0:49 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 0 0 5 100%
Saxophone
Alto		 Treble 7 0 0 5 100%
Trompette
en
Si♭		 Treble 7 0 0 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 0 0 5 100%
Saxophone
Alto		 Treble 7 0 0 5 100%
Trompette
en
Si♭		 Treble 7 0 0 5 100%
 
Come Holy Ghost
John Playford
0:40 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Bass 9 0 0 2 100%
Treble 0 0 0 0 0%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Bass 9 0 0 2 100%
Treble 0 0 0 0 0%
Soprano Treble 8 0 1 2 100%
Tenor Treble 8 0 1 2 100%
 
Come Holy Ghost
Orlando Gibbons
0:01 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 14 1 2 5 100%
Bass 13 0 0 5 93%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 14 1 2 5 100%
Bass 13 0 0 5 93%
Alto Treble 8 0 1 5 100%
Bass Bass 9 0 0 3 100%
Soprano Treble 8 0 1 3 100%
Tenor Treble 8 0 0 5 100%
 
The complaint of a sinner
John Farmer
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 12 0 3 4 100%
Soprano Treble 9 0 2 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 12 0 3 4 100%
Soprano Treble 9 0 2 4 100%
Tenor
1		 Treble 12 0 3 4 100%
Tenor
2		 Treble 10 0 2 4 100%
 
Clifford the Big Red Dog theme song
Dogman15
0:59 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 9 2 5 76%
Bass 12 9 2 4 67%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 9 2 5 76%
Bass 12 9 2 4 67%
Electric
Bass		 Bass 7 0 2 5 100%
Electric
Guitar		 Treble 8 8 2 2 100%
Acoustic
Guitar		 Treble 16 8 3 4 88%
Voice Treble 7 0 1 2 82%
Vibraphone Treble 9 6 2 4 70%
Hammond
Organ		 Treble 11 4 2 2 27%
Bass 7 0 2 2 27%
Kids
choir		 Treble 5 0 1 3 12%
 
Con un dolente
André Vierendeels
0:01 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 1 4 100%
Soprano Treble 7 0 1 4 100%
Tenor Treble 7 0 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 1 4 100%
Soprano Treble 7 0 1 4 100%
Tenor Treble 7 0 1 5 100%
 
Come away, sweet love
Thomas Greaves
2:07 Est. Play
Time
65 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 16 1 2 6 99%
13 1 3 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 16 1 2 6 99%
13 1 3 7 100%
Alto Treble 10 1 0 7 100%
Soprano
1		 Treble 13 1 3 7 100%
Tenor Treble 13 1 2 6 100%
Practice Treble 16 4 3 6 97%
Bass Bass 11 1 1 7 97%
 
Come holy sp'rit
Edmund Hooper
0:42 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 9 0 2 2 100%
Soprano Treble 10 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 9 0 2 2 100%
Soprano Treble 10 0 3 4 100%
Tenor
1		 Treble 7 0 2 2 100%
Tenor
2		 Treble 6 0 1 2 100%
 
Co vede la mia donna
Giovanni Croce
1:48 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 1 7 100%
Tenor
1		 Treble 8 0 2 6 100%
Tenor
2		 Treble 10 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 1 7 100%
Tenor
1		 Treble 8 0 2 6 100%
Tenor
2		 Treble 10 0 2 6 100%
 
Cleyne kintjen, grooten Godt
Jan Van der Wielen
1:34 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 10 11 2 4 93%
Bass 14 0 0 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 10 11 2 4 93%
Bass 14 0 0 4 100%
Soprano
1		 Treble 9 0 0 7 83%
Violin
1		 Treble 10 0 0 7 30%
Violin
2		 Treble 8 0 0 7 30%
Alto Treble 8 0 0 7 23%
Soprano
2		 Treble 6 0 0 7 21%
 
Christus factus est
Mariano Garau
0:57 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alti Treble 10 0 3 5 100%
Bassi Bass 14 1 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alti Treble 10 0 3 5 100%
Bassi Bass 14 1 3 5 100%
Soprani Treble 13 0 1 5 100%
Tenori Treble 13 1 3 5 100%
 
Come Fenice
Giovanni Maria Nanino
0:01 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
1		 Treble 8 0 0 5 100%
Soprano
2		 Treble 13 0 3 6 100%
Tenor Treble 11 0 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
1		 Treble 8 0 0 5 100%
Soprano
2		 Treble 13 0 3 6 100%
Tenor Treble 11 0 1 5 100%
 
Come lungi da voi
Antonio Morsolino
1:42 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 11 0 1 5 100%
Soprano
1		 Treble 11 0 4 5 100%
Soprano
2		 Treble 8 0 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 11 0 1 5 100%
Soprano
1		 Treble 11 0 4 5 100%
Soprano
2		 Treble 8 0 1 6 100%
 
Consumando
Jacquet de Berchem
0:01 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cantus Treble 9 0 0 6 99%
Tenor
1		 Treble 10 0 1 7 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cantus Treble 9 0 0 6 99%
Tenor
1		 Treble 10 0 1 7 99%
Tenor
3		 Treble 10 0 2 6 99%
Bass Bass 11 0 1 6 88%
Tenor
2		 Treble 12 0 1 6 85%