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Measures: < 20
Participation: 1%-49%
Participation: 50%-79%
Play Time: < 1:00
Unique Notes: 11 - 15
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Clarinet Polka
Kaito Ohashi
0:19 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BaccidentalFlat
Clarinet		 Treble 17 0 0 4 84%
Treble 18 0 0 5 79%
Bass
Clarinet		 Treble 14 0 3 4 58%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BaccidentalFlat
Clarinet		 Treble 17 0 0 4 84%
Treble 18 0 0 5 79%
Bass
Clarinet		 Treble 14 0 3 4 58%
 
Conan 2
omgbyke
0:29 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 25 19 7 10 82%
Bass 14 2 0 6 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 25 19 7 10 82%
Bass 14 2 0 6 77%
 
Composition DA, No. 4
moscos
0:24 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 42 10 4 100%
Bass 36 14 7 4 100%
피아노
 Treble 12 6 0 3 15%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 42 10 4 100%
Bass 36 14 7 4 100%
피아노
 Treble 12 6 0 3 15%
 
Competition in the style of Rachmaninoff
Daniel Labbé
0:12 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 17 4 5 100%
Treble 16 4 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 17 4 5 100%
Treble 16 4 5 5 100%
Bass 15 4 4 4 75%
Bass 11 6 2 4 50%
 
Cloudy Days
Anders Skog
0:55 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 0 6 94%
Treble 12 4 0 4 88%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 0 6 94%
Treble 12 4 0 4 88%
Bass 12 5 0 3 71%
Bass 6 3 0 2 94%
 
46. Christus der ist mein Leben, Melchior Vulpius, J.S. Bach, BWV 281.
SDG
0:26 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 0 6 100%
Treble 10 0 0 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 0 6 100%
Treble 10 0 0 6 100%
Bass 18 0 3 6 100%
Bass 18 0 3 6 100%
Soprano/Alto Treble 10 0 0 6 100%
Tenor/Bass Bass 18 0 3 6 100%
Contrabass Bass 12 0 2 4 50%
 
35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
 
34. Christe, der du bist Tag und Licht. BWV 274. Johann Sebastian Bach.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 17 0 3 4 100%
Contrabass Bass 11 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 17 0 3 4 100%
Contrabass Bass 11 0 2 3 50%
 
51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.
SDG
0:44 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
Contrabass Bass 14 0 4 3 50%
Alto Treble 2 0 1 1 13%
Bass Bass 2 0 1 1 7%
 
38. Christ lag in Todesbanden. BWV 277.
SDG
0:58 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 23 0 7 6 100%
Bass 23 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 23 0 7 6 100%
Contrabass Bass 15 0 5 5 50%
 
37. Christ ist erstanden (Alleluja). BWV 66.6
SDG
0:28 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 16 0 3 3 100%
Contrabass Bass 13 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 16 0 3 3 100%
Contrabass Bass 13 0 2 3 50%
 
33. Christ, der du bist der helle Tag. BWV 273. Johann Sebastian Bach.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Contrabass Bass 13 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Contrabass Bass 13 0 3 3 50%
 
CLAIR DE LUNE section 2
F2R
0:20 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 8 1 0 5 83%
Bass 14 7 1 5 58%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 8 1 0 5 83%
Bass 14 7 1 5 58%
 
clair de lune adaptado 2+3 vozes
Starbuck Joaninha
0:39 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpa Treble 16 0 3 6 100%
Bass 15 9 6 5 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpa Treble 16 0 3 6 100%
Bass 15 9 6 5 65%
 
Composition Idea 1
im.jon
0:14 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 14 6 1 1 100%
Treble 0 0 0 0 0%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 14 6 1 1 100%
Treble 0 0 0 0 0%
Violoncello Bass 17 0 1 3 80%
Violin Treble 12 1 0 3 40%
 
Circle of fifths - e minor - left hand exercise in six eight
Bronwen Dekker
0:12 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 4 50%
Bass 16 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 4 50%
Bass 16 0 0 3 50%
 
Climbing a sand dune
Bronwen Dekker
0:12 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 4 50%
Bass 16 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 4 50%
Bass 16 0 0 3 50%