Active Filters:
Composition: Piano
Composition: Ensemble
Participation: 50%-79%
Unique Notes: 16 - 20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Dear Friends
OmniWheel
3:45 Est. Play
Time
90 Measures
1,479Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B
Clarinet		 Treble 21 15 0 7 88%
C
Tuba		 Bass 14 0 0 5 73%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B
Clarinet		 Treble 21 15 0 7 88%
C
Tuba		 Bass 14 0 0 5 73%
Bass
Clarinet		 Treble 18 0 0 5 70%
Trombone Bass 17 0 0 6 70%
Baritone
Saxophone		 Treble 16 0 0 5 69%
Alto
Saxophone		 Treble 14 10 0 6 60%
Euphonium Bass 15 0 0 6 60%
Flute Treble 17 8 0 7 60%
Tenor
Saxophone		 Treble 10 3 0 6 60%
B
Trumpet		 Treble 14 8 0 7 52%
 
Der Abend, Op. 64, No. 2
Johannes Brahms
2:45 Est. Play
Time
111 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 39 80 21 5 100%
Bass 40 29 14 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 39 80 21 5 100%
Bass 40 29 14 5 100%
Tenor Treble 15 0 6 4 77%
Bass Bass 18 0 6 5 74%
Soprano Treble 18 0 8 5 71%
Alto Treble 20 0 9 5 68%
 
Della veloce sona
Jan Tollius
2:03 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 15 0 3 7 84%
Soprano
1		 Treble 15 0 4 7 84%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 15 0 3 7 84%
Soprano
1		 Treble 15 0 4 7 84%
Soprano
2		 Treble 10 0 2 6 81%
Tenor
1		 Treble 12 0 2 6 81%
Bass Bass 16 0 3 6 72%
Tenor
2		 Treble 16 0 4 6 70%
 
A dialogue between Charon and Orpheus
Henry Purcell
2:32 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 34 66 12 8 100%
Bass 19 0 6 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 34 66 12 8 100%
Bass 19 0 6 8 100%
Orpheus Bass 19 0 7 7 72%
Charon Bass 21 0 8 7 64%
 
Dialogo fra Maria Magdalena
Chiara Margarita Cozzolani
9:12 Est. Play
Time
217 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
continuo		 Treble 23 0 7 7 100%
Maria

Magdalena		 Treble 16 0 6 8 69%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
continuo		 Treble 23 0 7 7 100%
Maria

Magdalena		 Treble 16 0 6 8 69%
Angelo

primo		 Treble 13 0 4 9 46%
Angelo

secondo		 Treble 13 0 4 8 45%
Il
Testo		 Treble 12 0 2 8 36%
 
Dextera Domini
Giovanni Carlo Maria Clari
2:08 Est. Play
Time
103 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Treble 18 64 6 3 97%
Bass 32 2 11 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Treble 18 64 6 3 97%
Bass 32 2 11 5 100%
Soprano Treble 18 0 7 6 77%
Tenor Treble 16 0 5 6 74%
Alto Treble 17 0 6 6 72%
Bass Bass 17 0 4 6 61%
 
Deh Tirsi mio gentil
Luca Marenzio
2:14 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 2 6 100%
Canto Treble 17 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 2 6 100%
Canto Treble 17 0 5 6 100%
Alto Treble 15 0 6 6 93%
Quinto Treble 13 0 4 6 90%
Tenore Treble 16 0 4 6 73%
 
Dirge in Woods
Charles Hubert Hastings Parry
1:25 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P3 Bass 35 13 10 6 97%
P2 Treble 32 60 10 6 95%
P1 Treble 17 0 4 5 75%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P3 Bass 35 13 10 6 97%
P2 Treble 32 60 10 6 95%
P1 Treble 17 0 4 5 75%
 
Die Berge sind spitz, Op. 44, No. 8
Johannes Brahms
0:16 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
ad
libitum		 Treble 18 18 3 2 78%
Bass 15 3 1 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
ad
libitum		 Treble 18 18 3 2 78%
Bass 15 3 1 2 100%
Alto
I		 Treble 9 0 2 5 100%
Alto
II		 Treble 9 0 1 4 100%
Soprano
I		 Treble 7 0 0 4 100%
Soprano
II		 Treble 8 0 2 4 100%
 
Dialogue between two Penitents
Pelham Humfrey
0:01 Est. Play
Time
107 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 17 0 5 6 100%
Treble 0 0 0 0 0%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 17 0 5 6 100%
Treble 0 0 0 0 0%
First
Penitent		 Treble 19 0 7 7 62%
Second
Penitent		 Treble 20 0 7 8 62%
 
Distracted From My Soup 2.0
turkeyterror15
3:55 Est. Play
Time
151 Measures
1,063Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 4 8 4 35%
Bass 19 14 8 6 56%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 4 8 4 35%
Bass 19 14 8 6 56%
Bass Bass 19 0 9 6 100%
Trumpet Treble 15 0 7 4 50%
Trombone Bass 16 0 7 5 45%
 
Death by Glamour
Fun377
2:12 Est. Play
Time
82 Measures
1,837Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Double
Bass		 Bass 13 1 1 4 95%
Viola 17 12 3 5 90%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Double
Bass		 Bass 13 1 1 4 95%
Viola 17 12 3 5 90%
Violin Treble 25 16 6 8 78%
Treble 28 10 7 7 83%
Violoncello Bass 18 1 3 6 73%