Play Along Piano

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The Elder Scrolls V: Skyrim - Main Theme Orchestra

CTMGameMusic

2:59	Est. Play Time
112	Measures
	1,674Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	24	19	2	7	97%
Flute	24	0	1	7	76%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	24	19	2	7	97%
Flute	24	0	1	7	76%
Oboe	20	0	2	6	73%
Horn	9	1	1	6	57%
Violins 1	12	0	0	5	18%
Violins 2	11	0	0	5	18%
Violas	5	0	0	4	13%
C Trumpet	6	0	0	4	8%

The Ecstasy of Gold

Markdt

2:30	Est. Play Time
85	Measures
	2,430Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	6	4	7	42%
	15	1	0	5	70%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	6	4	7	42%
	15	1	0	5	70%
Horn in F	13	0	1	7	100%
Tuba in B♭	11	0	0	4	92%
Alto-oboe	13	0	1	8	88%
Euphonium	16	0	2	8	88%
Cornet in B♭	16	0	3	9	75%
Trumpet in B♭	20	0	5	9	75%
Flute	19	0	1	8	67%
Oboe	15	0	3	7	62%
Trombone	14	0	2	5	60%
Soprano	10	0	0	9	53%
Tubular Bells	11	0	1	2	48%

eleanor rigby sax violin

ale5

2:21	Est. Play Time
71	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	10	0	6	100%
Alto Saxophone	11	1	5	90%
Tenor Saxophone	11	1	5	90%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	10	0	6	100%
Alto Saxophone	11	1	5	90%
Tenor Saxophone	11	1	5	90%

Epping Forest & Hill Top (Prague Orchestra Dec 2019)

Spencer Vanderkley

2:26	Est. Play Time
56	Measures
	1,057Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	18	0	6	7	100%
Violins I	25	2	8	8	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	18	0	6	7	100%
Violins I	25	2	8	8	100%
Violins II	27	3	8	8	100%
Violoncellos	19	4	4	6	100%
Bassoon	23	0	8	8	89%
Contrabass	12	3	2	5	75%
Harp	22	3	5	5	53%
	20	0	6	5	61%
Oboe	25	0	9	8	61%
Flute	25	0	8	7	59%
F Horn III amp;amp; IV	10	0	2	5	57%
Bass Trombone	10	0	2	4	55%
B♭ Clarinet	22	0	6	7	52%
F Horn I amp;amp; II	13	0	3	7	50%
B♭ Trumpet	13	0	4	6	21%
Tenor Trombone	6	0	2	4	13%

Ennio Morricone — The Good the Bad the Ugly

Andrii Senkovych

2:40	Est. Play Time
76	Measures
	1,655Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Accordion 2	25	26	6	8	89%
	18	7	3	4	54%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Accordion 2	25	26	6	8	89%
	18	7	3	4	54%
Guitar	20	6	2	7	79%
Hammond Organ	23	26	5	6	76%
Cello	17	15	2	5	76%
Choir	15	17	3	6	56%
Violin	25	7	4	6	56%
Accordion 1	17	0	1	9	42%
	17	5	2	3	32%

En languissant je

Thomas Crecquillon

2:16	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	0	6	97%
Tenor 1	11	0	0	6	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	6	97%
Tenor 1	11	0	6	97%
Tenor 3	11	0	5	93%
Tenor 2	12	1	4	90%
Bass	9	0	6	85%

Ecce Sacerdos magnus

J. Singenberger

2:13	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	20	3	5	6	100%
Soprano	16	0	3	7	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	20	3	5	6	100%
Soprano	16	0	3	7	98%
Organo	21	24	6	6	97%
	23	16	5	6	96%
Basso	14	1	2	6	92%
Tenore	15	1	2	6	92%

Era gia per lasciar freddo

Tiburtio Massaino

2:29	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	16	0	4	6	100%
Canto	12	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	16	4	6	100%
Canto	12	3	6	100%
Alto	11	3	6	97%
Tenore	14	4	6	97%

Entre golfos de dulzuras

Francisco Valls

3:13	Est. Play Time
116	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	21	0	8	5	100%
[Soprano]	19	0	9	5	92%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	21	8	5	100%
[Soprano]	19	9	5	92%
[Bass]	19	9	6	72%
[Tenor]	13	5	7	68%
[Alto]	14	5	7	66%