Active Filters:
Composition: Piano
Measures: < 20
Participation: 80%-99%
Play Time: 1:00 - 1:30
Clear All Filters
AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
The melody of the soul ease
A8P8qBU0y3
1:12 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 4 6 94%
Bass 12 0 1 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 4 6 94%
Bass 12 0 1 2 100%
 
Marche Van De begijnen (HS.dGJ.120)
Johan Van der Elst
1:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 9 0 2 7 100%
Cello Bass 10 0 2 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 9 0 2 7 100%
Cello Bass 10 0 2 6 89%
 
Maria Schoon in Sexti toni / Maria schoon (2) (HS.dGJ.192b)
Johan Van der Elst
1:17 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 11 0 1 5 100%
Cello Bass 9 0 0 3 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 11 0 1 5 100%
Cello Bass 9 0 0 3 90%
 
Maria Schoon / Maria schoon (2) (HS.dGJ.192a)
Johan Van der Elst
1:17 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 10 0 1 5 100%
Cello Bass 10 0 1 4 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 10 0 1 5 100%
Cello Bass 10 0 1 4 89%
 
Marche van heijdernig (HS.dGJ.121)
Johan Van der Elst
1:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 12 0 1 4 100%
Cello Bass 9 0 0 4 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 12 0 1 4 100%
Cello Bass 9 0 0 4 89%
 
Mars Gruijtters (12) (HS.dGJ.167)
Johan Van der Elst
1:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 13 0 1 6 100%
Cello Bass 10 0 1 4 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 13 0 1 6 100%
Cello Bass 10 0 1 4 89%
 
March
ImDark73
1:02 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 10 6 6 89%
Bass 15 8 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 10 6 6 89%
Bass 15 8 5 5 95%
 
Melothesia 11 of 23
Locke, Matthew
1:12 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 0 3 5 94%
Bass 17 0 3 5 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 0 3 5 94%
Bass 17 0 3 5 91%
 
Melothesia 19 of 23
Locke, Matthew
1:04 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 6 2 8 87%
Bass 19 0 2 8 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 6 2 8 87%
Bass 19 0 2 8 74%
 
Melothesia 4 of 23
Locke, Matthew
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 1 2 6 100%
Bass 20 1 4 7 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 1 2 6 100%
Bass 20 1 4 7 88%
 
Melothesia 21 of 23
Locke, Matthew
1:12 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 4 1 7 100%
Bass 14 1 2 7 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 4 1 7 100%
Bass 14 1 2 7 81%
 
Melothesia 7 of 23
Locke, Matthew
1:00 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 5 0 6 100%
Bass 18 3 1 7 85%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 5 0 6 100%
Bass 18 3 1 7 85%
 
Melothesia 15 of 23
Locke, Matthew
1:12 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 4 5 10 95%
Bass 21 0 5 8 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 4 5 10 95%
Bass 21 0 5 8 77%
 
Melothesia 17 of 23
Locke, Matthew
1:12 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 4 3 5 100%
Bass 20 0 4 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 4 3 5 100%
Bass 20 0 4 6 88%