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Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
O, the deep, deep love of Jesus. Liefde was het, onuitputt'lijk', Joh. de Heer 548.)
SDG
1:17 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 0 1 5 100%
Manual
II		 Bass 7 0 0 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 0 1 5 100%
Manual
II		 Bass 7 0 0 5 100%
Pedal Bass 10 0 1 5 100%
S A Treble 9 0 1 5 94%
T B Bass 12 0 1 5 94%
 
Abendlied, Josef Rheinberger.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
220. Beveel gerust uw wegen.
SDG
0:44 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 16 0 3 3 95%
Piano,
Alt		 Treble 12 0 1 2 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 16 0 3 3 95%
Piano,
Alt		 Treble 12 0 1 2 95%
 
'k Heb Jezus lief, hört Jesus ruft kommt alle her, Ernst Heinrich Gebhardt. Arrangement: Gertim.
SDG
1:43 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 1 1 3 100%
Oboe Bass 9 0 2 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 9 1 1 3 100%
Oboe Bass 9 0 2 3 100%
Pedal Bass 11 0 2 3 98%
S A Treble 9 1 1 3 94%
T B Bass 17 0 4 3 94%
 
Zu Bethlehem geboren, arrangement Gertim, GrandOrgue recording, sampleset Giubiasco by Piotr Grabowski. Arrangement: Gertim.
SDG
0:55 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 12 0 1 6 100%
Manual
II		 Bass 7 0 1 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 12 0 1 6 100%
Manual
II		 Bass 7 0 1 5 100%
Pedal Bass 10 0 1 5 100%
S A Treble 12 0 1 6 90%
T B Bass 15 0 2 6 90%
 
177. W' aanbidden U! Wees, Heer, geprezen!
SDG
0:42 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 1 3 94%
T B Bass 13 0 0 4 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 1 3 94%
T B Bass 13 0 0 4 94%
 
In Bethlehem geboren, Dutch version, Nederlands. Arrangement: Gertim. Based on a German folk song (, but adjusted here)
SDG
0:55 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 12 0 1 6 100%
Manual
II		 Bass 7 0 1 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 12 0 1 6 100%
Manual
II		 Bass 7 0 1 5 100%
Pedal Bass 10 0 1 5 100%
S A Treble 12 0 1 6 90%
T B Bass 15 0 2 6 90%
 
236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.
SDG
0:32 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
Oboe Treble 10 0 2 5 45%
Treble 7 0 1 4 100%
Violin Treble 11 0 2 5 45%
Treble 7 0 1 4 100%
C
Trumpet		 Treble 12 0 1 4 95%
Soprano/Alto Treble 15 0 3 5 95%
Contrabass Bass 13 0 0 4 91%
Viola 13 0 3 4 91%
Violoncello Bass 13 0 0 4 91%
Tenor/Bass Bass 18 0 3 6 86%
Timpani Bass 2 0 0 4 82%
 
339. Was Gott thut, das ist wohlgethan. BWV 250.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 17 0 2 4 100%
Horn
in
F		 Treble 10 0 1 4 97%
extra
Bass		 Bass 12 0 1 3 55%
Contrabass Bass 11 0 1 3 50%
extra
Alto		 Treble 11 0 2 3 50%
 
130. Herr Gott, dich loben alle wir. BWV 326.
SDG
0:30 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Tenor		 Bass 6 0 0 4 100%
Soprano Treble 8 0 0 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Tenor		 Bass 6 0 0 4 100%
Soprano Treble 8 0 0 4 100%
C
Trumpet		 Treble 11 0 1 5 95%
Soprano/Alto Treble 11 0 0 5 95%
Tenor/Bass Bass 12 0 0 4 95%
Bass Bass 10 0 0 3 50%
Contrabass Bass 10 0 0 3 50%
Violoncello Bass 10 0 0 3 50%