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SDG

It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)

SDG

0:48	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	0	4	5	97%
Part_2		17	0	3	5	97%

O holy night, the stars are brightly shining, Cantique de Noel.

SDG

4:01	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	5	3	6	100%
Tenor/Bass		15	6	2	6	100%
Contrabass		10	2	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	5	3	6	100%
Tenor/Bass		15	6	2	6	100%
Contrabass		10	2	1	6	50%

Er is een kindeke geboren op aard'. Oud Hollands kerstlied. Orgel, sampleset Giubiasco, by Piotr Grabowski. Arrangement: Gertim (SDG).

SDG

4:30	Est. Play Time
94	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		14	0	3	6	100%
Contrabass		20	0	1	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		14	0	3	6	100%
Contrabass		20	0	1	5	100%
Flute		19	0	4	5	100%
S A		19	0	4	5	100%
T B		25	0	4	6	100%

O holy night the stars are brightly shining, cantique de noël. Christmas.

SDG

4:01	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	5	3	6	100%
T B		15	6	2	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	5	3	6	100%
T B		15	6	2	6	100%

24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.

SDG

1:23	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

Het is volbracht! (variant III). Composed by Gertim

SDG

0:47	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	4	4	100%
		17	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	4	4	100%
		17	0	2	3	100%

Jesu Hail! O God most holy, by John Stainer.

SDG

2:40	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		17	0	4	4	100%
		15	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		17	0	4	4	100%
		15	0	3	4	100%

191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.

SDG

1:02	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

25. Gott lebet noch. Seele, was verzagst du doch?. Schemelli/Bach. Inner voices: Gertim (SDG)

SDG

1:54	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	6	100%
Tenor/Bass		17	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	6	100%
Tenor/Bass		17	0	2	5	100%

Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.

SDG

2:42	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
Soprano		16	0	3	8	98%
Basso		17	0	5	6	81%

Het is volbracht! (variant IV). Composed by Gertim

SDG

0:48	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	3	3	100%
		18	0	3	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	3	3	100%
		18	0	3	5	100%

22. Gib dich zufrieden und sei stille. Schemelli Gesangbuch. Inner voices: Gertim

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	6	100%
Tenor/Bass		18	0	4	6	100%
Contrabass		16	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	6	100%
Tenor/Bass		18	0	4	6	100%
Contrabass		16	0	3	4	50%

Graduale, Locus iste, Anton Bruckner, WAB 23; á 4.

SDG

2:42	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
Soprano		16	0	3	8	98%
Basso		17	0	5	6	81%

Der Herr ist mein Hirt, Bernard Klein, male choir with piano accompaniment.

SDG

4:20	Est. Play Time
93	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte		18	37	4	5	97%
		25	57	7	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte		18	37	4	5	97%
		25	57	7	4	100%
Basso II		13	0	5	4	97%
Basso I.		9	0	3	5	96%
Tenore I		11	0	2	6	96%
Tenore II		10	0	2	4	96%

Sleep, holy Babe ! Christmas carol, translator: Edward Caswall, composer: John Bacchus Dykes. with Hauptwerk, Doesburg surround organ.

SDG

1:34	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		17	9	4	5	100%
Manual II		14	2	4	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		17	9	4	5	100%
Manual II		14	2	4	5	100%
Pedal		13	0	3	5	95%
S A		14	0	3	5	81%
T B		17	0	5	5	81%

O Heer, mijn God, wanneer ik in verwond'ring. Hoe groot zijt Gij. How great Thou art. Arrangement: Gertim (SDG).

SDG

3:14	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	2	4	6	95%
Tenor/Bass		21	0	7	6	95%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	2	4	6	95%
Tenor/Bass		21	0	7	6	95%
Bass Guitar		15	0	3	6	50%
Contrabass		15	0	3	6	50%

Nabij Gods hoog verheven troon, Opwekking 546. SATB Arrangement: Gertim

SDG

3:56	Est. Play Time
66	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	0	3	5	100%
Tenor/Bass		22	0	7	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	0	3	5	100%
Tenor/Bass		22	0	7	5	100%

113. Halleluja lof gezongen

SDG

0:58	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	4	3	100%
T B		17	0	3	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	4	3	100%
T B		17	0	3	3	100%

23. Gib dich zufrieden und sei stille. Schemelli. Inner voices: Gertim. BWV 512.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		13	0	1	5	100%
Contrabass		13	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		13	0	1	5	100%
Contrabass		13	0	1	3	50%

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